r/AskHistorians • u/Double_Show_9316 • 6d ago
April Fools CYOHA: You are a brand new parish priest in Charles I's England
It is 1639, and you are the new parish priest of Wimblesford-on-Bray, a quiet English village. Having just graduated from Cambridge and received your holy orders, you cannot wait to start your pastoral labors.
You've heard excellent things about this village, too! Actually, that's not quite true-- apparently, the village almost rioted against the last minister... and there was the time the churchwardens got into a brawl during a service and were dragged before the consistory court... but surely things won't be that bad for you! After all, what's the worst that can happen?
After all, you're a man of conviction! Speaking of which, how would you describe your convictions?
A) Some people call you an Arminian, but you don't think that's fair. You just enjoy church ceremony and are loyal to the King. Who would possibly object to that?
B) Some people call you a Puritan, but you don't think that's fair. You're just a godly man who hopes to push England (and your parish) towards a more perfect reformation. Who would possibly object to that?
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Why does Anne Boleyn often wear a white cap during her execution in movies?
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2d ago
Contemporary accounts of Anne Boleyn’s execution mention the cap. Here is one account (probably not an eyewitness from what I understand, but certainly based on first hand accounts):
The point of this cap, as you mentioned, would have been to keep her hair off her neck and help make the execution go more smoothly. I’m not familiar enough with the accounts of Anne Boleyn’s execution to say whether observers attributed any special significance to it, but I don’t suspect they did.
I am somewhat more familiar with Stuart execution accounts, when the white cap sometimes appears with a new level of symbolic significance. P.J. Klemp has argued that during the mid-seventeenth century, “the earlier ‘uniformity of behaviour on the scaffold’ that characterized executions in the sixteenth century, in which only one role was available to the dying man—‘that of a Christian dying well’—gave way to a range of possible roles” which the dying chose to act out in part through their choices of clothing. Archbishop William Laud, for example, wore a fine new suit “after an old fahion” and a velvet cap to emphasize his authority and status.
Charles I, meanwhile, placed a white satin cap on his head immediately before his execution. While this served the same functional purpose as Anne Boleyn’s linen cap, it had an additional symbolic function that many observers would have noted. Charles had famously worn white satin at his coronation, associated with innocence and symbolically representing a bridegroom marrying his kingdom. At his execution, Charles was calling to mind both his own coronation, as well as those associations—white as a symbol of innocence (or martyrdom) took on new meaning at his execution, and instead of a bridegroom marrying his people, he now talked about “my second marriage-day” when in death he would be “espoused to my blessed Jesus.”
When the parliamentary military officer Captain Browne Bushel was executed for treason after switching sides and surrendering a castle to the royalists, he chose to wear a white cap like the king had, consciously associating himself with the king and framing himself as a royalist martyr (he also asked his executioner whether the Block and Axe were the same that “my late Royal Master received the fatal blow from”). Other executed royalists similarly chose to dress in white, probably for similar reasons.
TL;DR, while wearing a white cap to an execution came to hold powerful political significance much later, in Anne Boleyn's case, it seems to have been a much more utilitarian choice.
Sources:
P.J. Klemp, The Theatre of Death: Rituals of Justice from the English Civil Wars to the Restoration (Newark: University of Delaware Press, 2016)
David Cressy, Charles I and the People of England (Oxford: Oxford University Press, 2015)
James Gardiner, ed., Letters and Papers, Foreign and Domestic, of the Reign of Henry VIII Preserved in the Public Record Office, the British Museum, and Elsewhere in England, vol. x (London: HMSO, 1887)