Someday, I'll be added to this list...

https://www.youtube.com/@happylittlenodetrees

It would be intersting to see how a independent colorist would approach it...

I'd probably agree with this assesment... not much of a reader but have see all the comp shots in the trailer vs comic book breakdown... Hope the comic drawers get some credit unlike those from Marvel that got plagerized in Thor Love and Thunder with no mention of their work.

From what I can tell though it is a very strong low end wash across the board elevating the luminance with a push towards red in the higher as a split tone. In every shot the shadows don't have a true black and so you can think it like in Contour where you have the floor divergence. The peak divergence is a bit tighter with a rise towards red in the highlights that gives way to blue in some shots. Some light vignetting, a pretty decent contrast curve. Not alot of good BTS shots out there to match with trailer yet though. Also the trailer is the epitome of Anti-Chaos editing... Don't think a single shot isn't center aligned. But I agree with the other comment that there is an intentionality to match the comic book look in the hair

Different flows are for different people. i've been working on developping a crazy fusion way to do film emulation with mostly stock and free dctles

that wouldn't really be a work around as it's whats happening automatically in the dehancer pipeline... it's a question of where do you want the effects to take place. do you want to do anything after it is been compressed down to rec.709 and put back into DW/I space

and so it raises a bigger question of where is the picture formed.
Personally, I've come around to having some of my filmic effects earlier in the pipeline... diffusion, lens flares, halation, grain are are things that are part of capturing a negative before you ever get a printed film stock. So those things happen before a final 'look contrast curve, or hue rotation and long before whatever math is used to get from DW/I to a Display Space.

People want the kodak 2383 look but it's a very neutral-ish stock cause it's a print stock... a lot of the character I feel comes from what influences the negative had.

Filmbox usually wins because it does it's work in AWG4/LogC4. Dehancer however does it's work in Rec.709
You can test this by pulling a stock Vendor lut and comparing it to Dehancer when you select a camera input with no tools active. I put up a couple of videos showing this if you want to take a look. https://youtu.be/HKGfSv330vo

Even when you tell it to that the input is DW/I, it still compresses to Rec.709 before inverting back to DW/I
https://youtu.be/0xnHhvj9JP4

Any tutorial specific things I do come from other colourists asking for something specific

I just film whatever project i'm working on and ask clients for permission as part of the bidding process.... Sadly, I'm doing some cool things that other colourists really like talking about.... just don't get the views... Like this one: https://youtu.be/E3ffw8OKKpo

Depends... I do freelance color and vfx animations stuffs in fusion... and I just have a quick, convenient set up to record an hr of content once or twice a week... usually based off of what ever I'm working on. It is in the style of Bob Ross so not everybodies cup of tea

That's called chasing the algorithm for views...

convert your raw photos to DNG or other suitable input and grade them in Resolve... Use flags and clip colors to segment out your selects and delete unwanteds by media managing them out.

Reach out via Dec18studios.com . I would be able to set up a time to chat and answer questions directly.

Yeah, i'm still trying to figure out how best to package up what i'm doing in fusion... its one thing to know how it all works but then I have to make decisions on what controls should be exposed or not... so tricky. Have you heard of the Dye Sim dctl. It's not really a cross talk but something that allows you to shape spectral curves to recompose the image. I have a series of videos on how I've been using it, but it's not folded into what I'm doing in fusion where I'm only pumping out RGB as 3 transparent layers to the color page. https://youtu.be/bdFbjGj_rhg?si=f8EC69Yetgkgggen

thanks for that... would love to learn more about the ofx your developing...